Aupon
Bat
Cto
Dof
第1题：
回答 68 ~ 70 题：It is true that good writers rewrite and rewrite and then rewrite some more .But in order to work up the desire to rewrite ,it is important to learn to like what you write at the early stage.
I am surprised at the number of famouw writers I know who say that they so dislike reading their own writing later that they even hate to look over the publishers’ opinions .One reason we may dislike reading our own work is that we’re often disappointed that the rich ideas in our minds seem very thin and plain whern first written down .Jerry Fodor and Steven Pinker suggest that this fact may be a result of how our minds work..
Different from popular belief ,wen do not usually think in the works and sentences of ordinary language but in symbois for ideas (known as “mentalese”), and writing our ideas down is an act of transtation from that symbolic language .But while mentalese contains our thoughts in the form. of a complex tapestry (织锦)，writing can only be composed one thread at a time .Therefone it should not be surprising that our first attempt at expressing ideas should look so simple .It si only by repeatedly rewrting that wen producs new threads and connect them to get closer to the ideas formed in our minds.
When people write as if some strict critics (批评家) are looking over their shoulder , they are so worried about what this critic might say that they get stuck before they even start.Peter Elbow makes an excellent suggestion to deal with this problem .When writing wen should have two different minds .At the first stage ,we should see every idea ,as well as the words we use to express it ,as wonderful and worth putting down .It is only during rewrites that we should examine what wen excitedly wrote in the first stage and check for weaknesses .
第13题：What do wen learn frome the text about those famous writers?
A． They often regret writing poor works
B． Some of them write surprisinglymuch .
C． Many of them hate reading their own works
D． They are happy to revlew the publishers’ opinions.
第2题：
A.millions of
B.million of
C.millons
D.million
第3题：
A、talked
B、spoken
C、said
D、told
第4题：
Perhaps we should climb out of the window and jump down? It's only two floors.
()We'd better wait for the rescue.
A. That's a good idea.
B. No, we can't do that.
C. I think we will kill ourselves.
第5题：
A、look into
B、look up
C、look down
第6题：
The sentence" We have people. . . down the road" ( Line 4, Paragraph 2)probably means
[ A] we have people calling us for parking space two years ahead of time.
[ B] people called us for permission to use the places two years ago.
[ C] we received calls from people down the road two years ago.
[D] people called us for school vacancies two years in advance.
第7题：
A. raise
B. collect
C. pay
第8题：
D
It is true that good writers rewrite and rewrite and then rewrite some more. But in order to work up the desire to rewrite, it is important to learn to like what you write at the early stage.
I am surprised at the number of famous writers I know who say that they so dislike reading their own writing later that they even hate to look over the publishers’ opinions. One reason we may dislike reading our own work is that we’re often disappointed that the rich ideas in our minds seem very thin and plain when first written down. Jerry Fodor and Steven Pinker suggest that this fact may be a result of how our minds work. .
Different from popular belief ,we do not usually think in the works and sentences of ordinary language but in symbols for ideas （known as “mentalese”）, and writing our ideas down is an act of translation from that symbolic language . But while mentalese contains our thoughts in the form. of a complex tapestry （织锦），writing can only be composed one thread at a time . Therefore it should not be surprising that our first attempt at expressing ideas should look so simple. It is only by repeatedly rewriting that we produces new threads and connect them to get closer to the ideas formed in our minds.
When people write as if some strict critics （批评家） are looking over their shoulder , they are so worried about what this critic might say that they get stuck before they even start. Peter Elbow makes an excellent suggestion to deal with this problem. When writing we should have two different minds. At the first stage, we should see every idea, as well as the words we use to express it ,as wonderful and worth putting down . It is only during rewrites that we should examine what we excitedly wrote in the first stage and check for weaknesses.
68. What do we learn from the text about those famous writers?
A They often regret writing poor works
B Some of them write surprisingly much.
C Many of them hate reading their own works
D They are happy to review the publishers’ opinions.
第9题：
A、were looked
B、was looked
C、was used to look
D、were used to look
第10题：
A、for
B、at
C、in
D、after