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Text 1 France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for women.Its lawmakers gave preliminary app

题目
Text 1 France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for women.Its lawmakers gave preliminary approval last week to a law that would make it a crime to employ ultra-thin models on runaways.The parliament also agreed to ban websites that“incite excessive thinness”by promoting extreme dieting.Such measures have a couple of uplifting motives.They suggest beauty should not be defined by looks that end up impinging on health.That’s a start.And the ban on ultra-thin models seems to go beyond protecting models from starving themselves to death-as some have done.It tells the fashion industry that it must take responsibility for the signal it sends women,especially teenage girls,about the social tape-measure they must use to determine their individual worth.The bans,if fully enforced,would suggest to women（and many men）that they should not let others be arbiters of their beauty.And perhaps faintly,they hint that people should look to intangible qualities like character and intellect rather than dieting their way to size zero or wasp-waist physiques.The French measures,however,rely too much on severe punishment to change a culture that still regards beauty as skin-deep-and bone-showing.Under the law,using a fashion model that does not meet a government-defined index of body mass could result in a$85,000 fine and six months in prison.The fashion industry knows it has an inherent problem in focusing on material adornment and idealized body types.In Denmark,the United States,and a few other countries,it is trying to set voluntary standards for models and fashion images that rely more on peer pressure for enforcement.In contrast to France’s actions,Denmark’s fashion industry agreed last month on rules and sanctions regarding the age,health,and other characteristics of models.The newly revised Danish Fashion Ethical Charter clearly states:“We are aware of and take responsibility for the impact the fashion industry has on body ideals,especially on young people.”The charter’s main tool of enforcement is to deny access for designers and modeling agencies to Copenhagen Fashion Week（CFW）,which is run by the Danish Fashion Institute.But in general it relies on a name-and-shame method of compliance.Relying on ethical persuasion rather than law to address the misuse of body ideals may be the best step.Even better would be to help elevate notions of beauty beyond the material standards of a particular industry.
Which of the following is true of the fashion industry?

A.New standards are being set in Denmark.
B.The French measures have already failed.
C.Models are no longer under peer pressure.
D.Its inherent problems are getting worse.
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相似问题和答案

第1题：

By saying "spending of any sort became deeply unfashionable" (Line 1-2, Para.3), the author sug- gests that（ ）

[A] collectors were no longer actively involved in art-market auctions

[B] people stopped every kind of spending and stayed away from galleries

[C] art collection as a fashion had lost its appeal to a great extent

[D] works of art in general had gone out of fashion so they were not worth buying


正确答案：A
作者说，“任何形式的消费都显得非常不合时宜”(第三段第一至二行)，是在暗______。
[A]收藏家们不再积极参与艺术品市场的拍卖
[B]人们停止了所有种类的消费，并且远离画廊
[C]在很大程度上，作为时尚的艺术收藏已经失去了吸引力
[D]通常意义的艺术作品已经落伍，因此不再值得购买
答案解析：[A]语义理解题。文章第三段第一句“In the weeks and months that Nllowed Mr．Hirst’Ssale，spending of any sort became deeply unfashionable．”提到“在Hirst先生的作品出售之后的数周乃至数月里，任何形式的消费都显得非常不合时宜”，紧接着第二句，作者给出了进一步解释，“…that meant collectors stayed away from galleries and salerooms．”表示“这意味着收藏家远离了画廊和销售店。”很显然，这指的是收藏家不再花钱购买艺术品，即他们不再积极参与艺术品市场的拍卖了，所以[A]为正确答案。[B]的说法太绝对，直接排除。文中也没有提到艺术品已经失去了吸引力，或者不值得购买，因此[C]和[D]也应排除。

第2题：

France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for women.Its lawmakers gave preliminary approval last week to a law that would make it a crime to employ ultra-thin models on runaways.The parliament also agreed to ban websites that“incite excessive thinness”by promoting extreme dieting.
Such measures have a couple of uplifting motives.They suggest beauty should not be defined by looks that end up impinging on health.That’s a start.And the ban on ultra-thin models seems to go beyond protecting models from starving themselves to death-as some have done.It tells the fashion industry that it must take responsibility for the signal it sends women,especially teenage girls,about the social tape-measure they must use to determine their individual worth.
The bans,if fully enforced,would suggest to women（and many men）that they should not let others be arbiters of their beauty.And perhaps faintly,they hint that people should look to intangible qualities like character and intellect rather than dieting their way to size zero or wasp-waist physiques.
The French measures,however,rely too much on severe punishment to change a culture that still regards beauty as skin-deep-and bone-showing.Under the law,using a fashion model that does not meet a government-defined index of body mass could result in a$85,000 fine and six months in prison.
The fashion industry knows it has an inherent problem in focusing on material adornment and idealized body types.In Denmark,the United States,and a few other countries,it is trying to set voluntary standards for models and fashion images that rely more on peer pressure for enforcement.In contrast to France’s actions,Denmark’s fashion industry agreed last month on rules and sanctions regarding the age,health,and other characteristics of models.The newly revised Danish Fashion Ethical Charter clearly states:“We are aware of and take responsibility for the impact the fashion industry has on body ideals,especially on young people.”The charter’s main tool of enforcement is to deny access for designers and modeling agencies to Copenhagen Fashion Week（CFW）,which is run by the Danish Fashion Institute.But in general it relies on a name-and-shame method of compliance.
Relying on ethical persuasion rather than law to address the misuse of body ideals may be the best step.Even better would be to help elevate notions of beauty beyond the material standards of a particular industry.
According to the first paragraph,what would happen in France?

A.New runways would be constructed.
B.Physical beauty would be redefined.
C.Websites about dieting would thrive.
D.The fashion industry would decline.

答案：A
解析：
推断题。根据题干first paragraph定位第一段，其中第一句France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for woman.以作为全球时尚创新者为荣的法国承认已经失去定义女性形体美的绝对权利，说明法国以前制定的形体美的标准已不再适用，现在需要做出

第3题：

Conversation becomes weaker in a society that spends so much time listening and being talked to _______ it has all but lost the will and the skill to speak for itself.

A as B which C that D what


正确答案：C
选［C］。本题要求考生能够迅速识别出so ... that句型。

第4题：

Text 1 France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for women.Its lawmakers gave preliminary approval last week to a law that would make it a crime to employ ultra-thin models on runaways.The parliament also agreed to ban websites that“incite excessive thinness”by promoting extreme dieting.Such measures have a couple of uplifting motives.They suggest beauty should not be defined by looks that end up impinging on health.That’s a start.And the ban on ultra-thin models seems to go beyond protecting models from starving themselves to death-as some have done.It tells the fashion industry that it must take responsibility for the signal it sends women,especially teenage girls,about the social tape-measure they must use to determine their individual worth.The bans,if fully enforced,would suggest to women（and many men）that they should not let others be arbiters of their beauty.And perhaps faintly,they hint that people should look to intangible qualities like character and intellect rather than dieting their way to size zero or wasp-waist physiques.The French measures,however,rely too much on severe punishment to change a culture that still regards beauty as skin-deep-and bone-showing.Under the law,using a fashion model that does not meet a government-defined index of body mass could result in a$85,000 fine and six months in prison.The fashion industry knows it has an inherent problem in focusing on material adornment and idealized body types.In Denmark,the United States,and a few other countries,it is trying to set voluntary standards for models and fashion images that rely more on peer pressure for enforcement.In contrast to France’s actions,Denmark’s fashion industry agreed last month on rules and sanctions regarding the age,health,and other characteristics of models.The newly revised Danish Fashion Ethical Charter clearly states:“We are aware of and take responsibility for the impact the fashion industry has on body ideals,especially on young people.”The charter’s main tool of enforcement is to deny access for designers and modeling agencies to Copenhagen Fashion Week（CFW）,which is run by the Danish Fashion Institute.But in general it relies on a name-and-shame method of compliance.Relying on ethical persuasion rather than law to address the misuse of body ideals may be the best step.Even better would be to help elevate notions of beauty beyond the material standards of a particular industry.
A designer is most likely to be rejected by CFW for.

A.pursuing perfect physical conditions.
B.caring too much about models’character.
C.showing little concern for health factors.
D.setting a high age threshold for models.

答案：C
解析：
推理题。题干问的是“设计师似乎被CFW拒绝的原因”。根据题干关键词，回文定位到倒数第二段，其中指出“…enforcement is to deny access for designers…”，意思是“法案拒绝设计师进入CFW，它是由丹麦时装学院创办的。”，再根据该段前两句可知，丹麦时尚界同意关于模特的年纪，健康以及其他特点的法规和制裁，也就是说，丹麦时装学院不再只关注身材，也关注健康。而设计师一般都是以瘦为美，而忽视健康。综上所述，设计师被拒绝的原因是不考虑健康因素，故选[C]showing litt

第5题：

Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,H&M,and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory,more frequent releases,and more profit.Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices,Cline argues,these brands have hijacked fashion cycles,shaking all industry long accustomed to a seasonal pace.The victims of this revolution,of course,are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world,it must rely on low-wage,overseas labor,order in volumes that strain natural resources,and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing,like fast food,fills a hunger and need,yet is non-durable,and wasteful,”Cline argues,Americans,she finds,buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away,this excess leads to waste.Towards the end of Overdressed,Cline introduced her ideal,a Brooklyn woman named SKB,who,since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note,it took Beaumont decades to perfect her craft;her example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M,with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability,be it in food or in energy.Vanity is a constant;people will only start shopping more sustainably when they can’t afford to it.24.Which of the following can be inferred from the lase paragraph?

A.Vanity has more often been found in idealists.
B.The fast-fashion industry ignores sustainability.
C.People are more interested in unaffordable garments.
D.Pricing is vital to environment-friendly purchasing.

答案：C
解析：
推理判断根据题干，可定位到最后一段。解题关键在于“Vanity is a constant;people will only start shopping more sustainably when they can’t afford not to”，意思是“每个人都很虚荣，这很常见。但消费者付不起太多东西的时候，他们才会以更加可持续的方式去购物。”这句的关键词是“afford”和“shop more sustainably”，对应于C项中的“pricing”和“environmental-f

第6题：

When several salvors are on-scene at the same time to assist a vessel that has not been abandoned，which principal governs the decision as to which one's services will be accepted ________．

A.The Master of the ship needing assistance has the absolute right to decide

B.The first salvor on-scene has the prior claim providing he has adequate facilities to assist the vessel needing assistance

C.The salvors must agree to a division of any salvage among themselves with the major share allotted to those doing the most work

D.The first salvor on-scene has the absolute right to provide assistance；however，he is liable if the ship is lost due to his lack of experience，equipment，etc


正确答案：A

第7题：

Text 1 France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for women.Its lawmakers gave preliminary approval last week to a law that would make it a crime to employ ultra-thin models on runaways.The parliament also agreed to ban websites that“incite excessive thinness”by promoting extreme dieting.Such measures have a couple of uplifting motives.They suggest beauty should not be defined by looks that end up impinging on health.That’s a start.And the ban on ultra-thin models seems to go beyond protecting models from starving themselves to death-as some have done.It tells the fashion industry that it must take responsibility for the signal it sends women,especially teenage girls,about the social tape-measure they must use to determine their individual worth.The bans,if fully enforced,would suggest to women（and many men）that they should not let others be arbiters of their beauty.And perhaps faintly,they hint that people should look to intangible qualities like character and intellect rather than dieting their way to size zero or wasp-waist physiques.The French measures,however,rely too much on severe punishment to change a culture that still regards beauty as skin-deep-and bone-showing.Under the law,using a fashion model that does not meet a government-defined index of body mass could result in a$85,000 fine and six months in prison.The fashion industry knows it has an inherent problem in focusing on material adornment and idealized body types.In Denmark,the United States,and a few other countries,it is trying to set voluntary standards for models and fashion images that rely more on peer pressure for enforcement.In contrast to France’s actions,Denmark’s fashion industry agreed last month on rules and sanctions regarding the age,health,and other characteristics of models.The newly revised Danish Fashion Ethical Charter clearly states:“We are aware of and take responsibility for the impact the fashion industry has on body ideals,especially on young people.”The charter’s main tool of enforcement is to deny access for designers and modeling agencies to Copenhagen Fashion Week（CFW）,which is run by the Danish Fashion Institute.But in general it relies on a name-and-shame method of compliance.Relying on ethical persuasion rather than law to address the misuse of body ideals may be the best step.Even better would be to help elevate notions of beauty beyond the material standards of a particular industry.
The phrase“impinging on”（Line2,Para.2）is closest in meaning to.

A.heightening the value of.
B.indicating the state of.
C.losing faith in.
D.doing harm to.

答案：D
解析：
词义题。根据题干关键词“impinging on”（line2,para2），定位到第二段的第二句“They suggest beauty should not be defined by looks that end up with impinging on health.”（他们认为美女不应该以…健康的外表来界定）。该句承接本段第一句“Such measures have a couple of uplifting motives.”其中，Such measures指代的正是第一段中阐述的“雇佣过瘦

第8题：

Which is the best possible title of the passage ?

A. Age Is No Barrier for Fashion Fans

B.The More Fashionable ,the Less Expensive

C.Unexpected Changes in Fashion

D.Boom of the British Fashion Industry


正确答案：A

第9题：

Text 1 France,which prides itself as the global innovator of fashion,has decided its fashion industry has lost an absolute right to define physical beauty for women.Its lawmakers gave preliminary approval last week to a law that would make it a crime to employ ultra-thin models on runaways.The parliament also agreed to ban websites that“incite excessive thinness”by promoting extreme dieting.Such measures have a couple of uplifting motives.They suggest beauty should not be defined by looks that end up impinging on health.That’s a start.And the ban on ultra-thin models seems to go beyond protecting models from starving themselves to death-as some have done.It tells the fashion industry that it must take responsibility for the signal it sends women,especially teenage girls,about the social tape-measure they must use to determine their individual worth.The bans,if fully enforced,would suggest to women（and many men）that they should not let others be arbiters of their beauty.And perhaps faintly,they hint that people should look to intangible qualities like character and intellect rather than dieting their way to size zero or wasp-waist physiques.The French measures,however,rely too much on severe punishment to change a culture that still regards beauty as skin-deep-and bone-showing.Under the law,using a fashion model that does not meet a government-defined index of body mass could result in a$85,000 fine and six months in prison.The fashion industry knows it has an inherent problem in focusing on material adornment and idealized body types.In Denmark,the United States,and a few other countries,it is trying to set voluntary standards for models and fashion images that rely more on peer pressure for enforcement.In contrast to France’s actions,Denmark’s fashion industry agreed last month on rules and sanctions regarding the age,health,and other characteristics of models.The newly revised Danish Fashion Ethical Charter clearly states:“We are aware of and take responsibility for the impact the fashion industry has on body ideals,especially on young people.”The charter’s main tool of enforcement is to deny access for designers and modeling agencies to Copenhagen Fashion Week（CFW）,which is run by the Danish Fashion Institute.But in general it relies on a name-and-shame method of compliance.Relying on ethical persuasion rather than law to address the misuse of body ideals may be the best step.Even better would be to help elevate notions of beauty beyond the material standards of a particular industry.
Which of the following may be the best title of the text?

A.A Challenge to the Fashion Industry’s Body Ideals
B.A Dilemma for the Starving Models in France
C.Just Another Round of Struggle for Beauty
D.The Great Threats to the Fashion Industry

答案：A
解析：
主旨题。首段指出法律要求时尚界不能用过瘦的模特，接下来的段落重点说明时尚界的模特同时还需考虑年纪，健康以及其他方面的因素等。因此这篇文章的中心是围绕对时尚界理想体型观点的挑战，故[A]A challenge to the Fashion Industry's Body Ideals正确。

第10题：

Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,H&M,and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory,more frequent releases,and more profit.Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices,Cline argues,these brands have hijacked fashion cycles,shaking all industry long accustomed to a seasonal pace.The victims of this revolution,of course,are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world,it must rely on low-wage,overseas labor,order in volumes that strain natural resources,and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing,like fast food,fills a hunger and need,yet is non-durable,and wasteful,”Cline argues,Americans,she finds,buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away,this excess leads to waste.Towards the end of Overdressed,Cline introduced her ideal,a Brooklyn woman named SKB,who,since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note,it took Beaumont decades to perfect her craft;her example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M,with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability,be it in food or in energy.Vanity is a constant;people will only start shopping more sustainably when they can’t afford to it.25.What is the subject of the text?

A.Satire on an extravagant lifestyle.
B.Challenge to a high-fashion myth.
C.Criticism of the fast-fashion industry.
D.Exposure of a mass-market secret.

答案：C
解析：
主旨大意此题考查对全文主旨大意的准确归纳。从整个文章脉络来看，文章的第一段用事例引入，第二段讲到文章的主题“快时尚”，并指出它破坏了时尚周期，动摇了时尚产业。第三四段指出“快时尚”这种变革的弊端，比如：给自然资源造成压力、使用大量有害的化学物质、浪费现象。最后两段提到针对“快时尚”的不良影响，可以采取的解决办法。由此可知，C项统领全文，为正确答案。A,B,D项都不是文章所论述的中心主题。

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